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KATIE HARRIS-MACLEOD
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Art Projects
I want to see the forest, without it seeing me (forest skins)
stairseach | thresholds (2025)
forage: symbiotic (trans)formations (2023-25)
Falling through space | Moss mother’s milk (memory vessel activation)
Tree Being
Shell Head (2021-24)
Wellspring (2024)
Sycamore Drawings | Wellspring (2023)
Fon Uachdar | Beneath the Surface (2023)
Bròn | Sorrow (2023)
Sleep Drawings (2022)
Tree Poem - II | Sap Works (2021)
Tree Drawings | Sap Works (2021)
Miscellaneous artworks (2017 - Present)
Magical Octopus (2021)
Floating Land 2021 | A Topography for Reflection
Tree Mother | Sap Works (2020)
Sap Works (2020)
Fàgail Hiort | Leaving St. Kilda (2020)
The Well at the World's End | Cultural Documents (2019)
Muir is Tìr | Land and Sea (2018)
Machlag | Womb (2017)
CV
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Contact
KATIE HARRIS-MACLEOD
Home
About
Art Projects
I want to see the forest, without it seeing me (forest skins)
stairseach | thresholds (2025)
forage: symbiotic (trans)formations (2023-25)
Falling through space | Moss mother’s milk (memory vessel activation)
Tree Being
Shell Head (2021-24)
Wellspring (2024)
Sycamore Drawings | Wellspring (2023)
Fon Uachdar | Beneath the Surface (2023)
Bròn | Sorrow (2023)
Sleep Drawings (2022)
Tree Poem - II | Sap Works (2021)
Tree Drawings | Sap Works (2021)
Miscellaneous artworks (2017 - Present)
Magical Octopus (2021)
Floating Land 2021 | A Topography for Reflection
Tree Mother | Sap Works (2020)
Sap Works (2020)
Fàgail Hiort | Leaving St. Kilda (2020)
The Well at the World's End | Cultural Documents (2019)
Muir is Tìr | Land and Sea (2018)
Machlag | Womb (2017)
CV
Instagram
Contact
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I want to see the forest, without it seeing me (forest skins)
stairseach | thresholds (2025)
forage: symbiotic (trans)formations (2023-25)
Falling through space | Moss mother’s milk (memory vessel activation)
Tree Being
Shell Head (2021-24)
Wellspring (2024)
Sycamore Drawings | Wellspring (2023)
Fon Uachdar | Beneath the Surface (2023)
Bròn | Sorrow (2023)
Sleep Drawings (2022)
Tree Poem - II | Sap Works (2021)
Tree Drawings | Sap Works (2021)
Miscellaneous artworks (2017 - Present)
Magical Octopus (2021)
Floating Land 2021 | A Topography for Reflection
Tree Mother | Sap Works (2020)
Sap Works (2020)
Fàgail Hiort | Leaving St. Kilda (2020)
The Well at the World's End | Cultural Documents (2019)
Muir is Tìr | Land and Sea (2018)
Machlag | Womb (2017)
CV
Instagram
Contact

Follow MacLeod’s work and explorations on Instagram.

A MATTER OF TIME | IN | ARI SYMPOSIUM

Saturday 30 Nov | 10am - 6pm
The Old Lock Up, Kabi Kabi Country

A full day of creative inquiry, activity, and discussion around concepts and applications of ‘time’ explored in artistic practice. Top
A MATTER OF TIME | IN | ARI SYMPOSIUM Saturday 30 Nov | 10am - 6pm The Old Lock Up, Kabi Kabi Country A full day of creative inquiry, activity, and discussion around concepts and applications of ‘time’ explored in artistic practice. Topics include: relational structures for thriving in uncertain futures, cyclical archives, continuity and cultural practices, domestic time signatures, notions of the inevitable, durations ability to warp perception, patience in precarious landscapes, and more. Ticket link - @in_ari Install pics by - @barbora.tomikova #INartistrunintiative #INari #INxOLU #theoldlockup #contemporaryarts #ari #sunshinecoastcontemporaryart #sunshinecoastcouncil #creativespaces #insite
Falling through space (memory vessels) | Clay, Cyanotype, Bloodwood Tree Sap and Resin | 2024. 

A MATTER OF TIME | IN | ARI SYMPOSIUM

Saturday 30 Nov | 10am - 6pm
The Old Lock Up, Kabi Kabi Country

A full day of creative inquiry, activity, and dis
Falling through space (memory vessels) | Clay, Cyanotype, Bloodwood Tree Sap and Resin | 2024. A MATTER OF TIME | IN | ARI SYMPOSIUM Saturday 30 Nov | 10am - 6pm The Old Lock Up, Kabi Kabi Country A full day of creative inquiry, activity, and discussion around concepts and applications of ‘time’ explored in artistic practice. Topics include: relational structures for thriving in uncertain futures, cyclical archives, continuity and cultural practices, domestic time signatures, notions of the inevitable, durations ability to warp perception, patience in precarious landscapes, and more. Ticket link in the @in_ari bio x
Videos taken in Woonoongoora National Park whilst walking amongst 5,000 year old Antarctic Beech trees, magic sunbeams and soft cool foggy air. #treespirit #deeptime #woonoongoora #yugambehcountry #gondwana #antarticbeechtrees #treetime #endosymbiosis
A few more shots from Woonoongoora National Park on Yugambeh Country. 

#woonoongoora #yugambehcountry #antarticbeechtrees #treespirit #protectourforests
A few more shots from Woonoongoora National Park on Yugambeh Country. #woonoongoora #yugambehcountry #antarticbeechtrees #treespirit #protectourforests
A wee walk on the last full moon, to visit the ancient Antarctic Beech trees found deep in Woonoongoora National Park on Yugambeh Country. Misty green land of leeches, tree spirits, waterfalls and many many birds. 

#woonoongoora #yugambehcountry #an
A wee walk on the last full moon, to visit the ancient Antarctic Beech trees found deep in Woonoongoora National Park on Yugambeh Country. Misty green land of leeches, tree spirits, waterfalls and many many birds. #woonoongoora #yugambehcountry #antarticbeechtrees #treespirit #protectourforests
Anthology of earth poems - Machlag (womb). 

A wee zine made many moons ago in my last year of art school: scribbled notes on napkins, scans of womby monoprints (ideas for sculptures), Gaelic words and their English translations, a poem my granny wro
Anthology of earth poems - Machlag (womb). A wee zine made many moons ago in my last year of art school: scribbled notes on napkins, scans of womby monoprints (ideas for sculptures), Gaelic words and their English translations, a poem my granny wrote, and strange salty blue things. #zine
Shell head out for a walk in Noosa National Park at the end of 2022, photos by Ben.

#shellhead #performanceart #bodylandscape #feministart #treebody
Shell head out for a walk in Noosa National Park at the end of 2022, photos by Ben. #shellhead #performanceart #bodylandscape #feministart #treebody
Listening to trees on K'gari, a few months back in July. Not sure if I recorded root sounds or just interference with the mic, either way it was magic. Maybe I'll share the recordings at some point, if I can figure out how to, ha! Hoping for more of
Listening to trees on K'gari, a few months back in July. Not sure if I recorded root sounds or just interference with the mic, either way it was magic. Maybe I'll share the recordings at some point, if I can figure out how to, ha! Hoping for more of this going forward. 1. Tree root listening. 2. Selfie in-between tree listenings ft some groovy headphones. 3. Hoop pine (port) hole, felt a bit too intrusive to listen. 4. Shadow self and the moon at Lake Boorangoora. 5. Big tall tree beings. 6. A nice spotty gum leaf that fell on my face during a welcome to country and smoking ceremony with the Butchulla Elders. 7. Lovely moss and tree; pure endosymbiosis in (slow) motion. #butchullacountry #island #treetalking #deeplistening #k'gari #moss #k'garifieldtrip #wordsarespells
Le studio ft pink drawings, copper potions and sparkly blue bones
Le studio ft pink drawings, copper potions and sparkly blue bones
Falling through space (the three of us) I Cyanotype, Salt, Bloodwood Tree Sap and Graphite on 300gsm Watercolour Paper | 76 x 56 cm | 2024. 

The first image is the whole artwork and the following are close-ups of the details

#celestial #deeptime #d
Falling through space (the three of us) I Cyanotype, Salt, Bloodwood Tree Sap and Graphite on 300gsm Watercolour Paper | 76 x 56 cm | 2024. The first image is the whole artwork and the following are close-ups of the details #celestial #deeptime #drawing #luciddreams #fallingthroughspace #memorydrawing
Forgotten Shell Head photos taken in December 2022 just before we left for Scotland. Photos taken by myself and Ben. 

Shell Head was born from a wee studio on the shores of Lake Weyba, Kabi Kabi Country. She was part of a series of performance works
Forgotten Shell Head photos taken in December 2022 just before we left for Scotland. Photos taken by myself and Ben. Shell Head was born from a wee studio on the shores of Lake Weyba, Kabi Kabi Country. She was part of a series of performance works that responded to the lake for Floating Land in 2021. At the conclusion of the performance works, I began to wonder how I could further use and conceptualise Shell Head, as I had grown quite attached to her. So, I began to take her to different locations and photographed her in the landscape. To me, Shell Head is a 'Goddess' of feminist art, turning a mirror on the murky waters of female self-representation, symbolic and ambiguous in meaning. At the same time experimental, surreal, playful and spiritual, Shell Head explores her relationship to her human/ non-human body, to water body, to tree body and to geological body. Connection to place and feminine response are influential themes but the landscape inevitably has the final say, directing the mood through the elements - wind, rain and light. This artwork does not intend to be explicitly suggestive of the above interpretations, ultimately the audience curates their own experience and response to the work. #shellhead #performanceart #bodylandscape #waterbody #feministart
Tree Being - II, is on show up at the @gympieregionalgallery for the Du Rietz Art Awards 2024, and now looking fancy thanks to @coolartgallery for the frame.

• Exhibition viewing 23 August - 27 September. Opening night this Friday (30th) from 6
Tree Being - II, is on show up at the @gympieregionalgallery for the Du Rietz Art Awards 2024, and now looking fancy thanks to @coolartgallery for the frame. • Exhibition viewing 23 August - 27 September. Opening night this Friday (30th) from 6pm • Photo by @nickolaiglobe last July at the Fon Uachdar/ Beneath the surface exhibition at @hulabhaig curated by @cuansiar #artshow #durietz2024 #treebeing
Falling through space (v) | Cyanotype, Salt, Watercolour, Glitter and Graphite on Cotton Rag Paper | 20 x 20 cm | 2024. 

The first image is the whole artwork and the following are close-ups of the details

#celestial #deeptime #drawing #luciddreams
Falling through space (v) | Cyanotype, Salt, Watercolour, Glitter and Graphite on Cotton Rag Paper | 20 x 20 cm | 2024. The first image is the whole artwork and the following are close-ups of the details #celestial #deeptime #drawing #luciddreams #fallingthroughspace #memorydrawing
Falling through space (a drawing for Achnabreck) | Cyanotype, Salt, Watercolour, Bloodwood Tree Sap, Glitter and Graphite on 300gsm Watercolour Paper | 56 x 76 cm | 2024. 

(The first image is the whole artwork and the following are close-ups of the
Falling through space (a drawing for Achnabreck) | Cyanotype, Salt, Watercolour, Bloodwood Tree Sap, Glitter and Graphite on 300gsm Watercolour Paper | 56 x 76 cm | 2024. (The first image is the whole artwork and the following are close-ups of the details) #celestial #deeptime #drawing #luciddreams #fallingthroughspace #memorydrawing #achnabreck
Falling through space (inflorescence) | Cyanotype, Salt, Watercolour, Bloodwood Tree Sap, (Karla's) Sparkles and Graphite on 300gsm Watercolour Paper | 56 x 76 cm | 2024. 

(The first image is the whole artwork and the following are close-ups of the
Falling through space (inflorescence) | Cyanotype, Salt, Watercolour, Bloodwood Tree Sap, (Karla's) Sparkles and Graphite on 300gsm Watercolour Paper | 56 x 76 cm | 2024. (The first image is the whole artwork and the following are close-ups of the details) #celestial #deeptime #drawing #luciddreams #fallingthroughspace #memorydrawing #inflorescence
Some magic from the Cooloola Great Walk last week. Certainly an easier walk than the Everest Base Camp attempt earlier this year and we had a wee bit of whisky on this one, yeow.
Some magic from the Cooloola Great Walk last week. Certainly an easier walk than the Everest Base Camp attempt earlier this year and we had a wee bit of whisky on this one, yeow.
A few explorations of Lake Boomanjin and her red tannin waters ft some words of intrigue found whilst reading the Badtjala - English, English - Badtjala Word List, republished and distributed by Pirri Productions 2019 by Dr. Fiona Foley. 

Red | i. b
A few explorations of Lake Boomanjin and her red tannin waters ft some words of intrigue found whilst reading the Badtjala - English, English - Badtjala Word List, republished and distributed by Pirri Productions 2019 by Dr. Fiona Foley. Red | i. but'dha ii. kut'dhin'ngur Water | kung Weep (s) | din'gaman Water Vessel | bun'di Moon | ba'pun Mother | i. a'vang ii. ngabang iii. nga'vang Tongue | tu'man Mouth | dham'bur Moss | wub'ung Milk | i. amung ii. nam'ung iii. ngam'ang iv. ng'amung Language is so deeply redolent of landscape, people and place, I found this whilst living in the Outer Hebrides in Scotland and all across Scotland/ Ireland and the UK really. Wildly different dialect spoken within a few kilometres from another. It's a special thing to be shared, listened to and respected. #badtjalalanguage #k'gari #language #psychogeography #people #place #landscape #fieldtrip #deeplistening