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KATIE HARRIS-MACLEOD
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About
Art Projects
Falling through space | Moss mother’s milk (memory vessel activation)
Tree Being
Shell Head (2021-24)
Wellspring (2024)
Root Drawings
Sycamore Drawings | Wellspring (2023)
forage: symbiotic (trans)formations (2023)
Fon Uachdar | Beneath the Surface (2023)
Bròn | Sorrow (2023)
Bodies to Stardust | Stardust to Bodies (2022)
Sleep Drawings (2022)
Tree Poem - II | Sap Works (2021)
Tree Drawings | Sap Works (2021)
Miscellaneous artworks (2017 - Present)
Magical Octopus (2021)
Floating Land 2021 | A Topography for Reflection
Tree Mother | Sap Works (2020)
Sap Works (2020)
Fàgail Hiort | Leaving St. Kilda (2020)
The Well at the World's End | Cultural Documents (2019)
Muir is Tìr | Land and Sea (2018)
Machlag | Womb (2017)
CV
Instagram
Contact
KATIE HARRIS-MACLEOD
Home
About
Art Projects
Falling through space | Moss mother’s milk (memory vessel activation)
Tree Being
Shell Head (2021-24)
Wellspring (2024)
Root Drawings
Sycamore Drawings | Wellspring (2023)
forage: symbiotic (trans)formations (2023)
Fon Uachdar | Beneath the Surface (2023)
Bròn | Sorrow (2023)
Bodies to Stardust | Stardust to Bodies (2022)
Sleep Drawings (2022)
Tree Poem - II | Sap Works (2021)
Tree Drawings | Sap Works (2021)
Miscellaneous artworks (2017 - Present)
Magical Octopus (2021)
Floating Land 2021 | A Topography for Reflection
Tree Mother | Sap Works (2020)
Sap Works (2020)
Fàgail Hiort | Leaving St. Kilda (2020)
The Well at the World's End | Cultural Documents (2019)
Muir is Tìr | Land and Sea (2018)
Machlag | Womb (2017)
CV
Instagram
Contact
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Falling through space | Moss mother’s milk (memory vessel activation)
Tree Being
Shell Head (2021-24)
Wellspring (2024)
Root Drawings
Sycamore Drawings | Wellspring (2023)
forage: symbiotic (trans)formations (2023)
Fon Uachdar | Beneath the Surface (2023)
Bròn | Sorrow (2023)
Bodies to Stardust | Stardust to Bodies (2022)
Sleep Drawings (2022)
Tree Poem - II | Sap Works (2021)
Tree Drawings | Sap Works (2021)
Miscellaneous artworks (2017 - Present)
Magical Octopus (2021)
Floating Land 2021 | A Topography for Reflection
Tree Mother | Sap Works (2020)
Sap Works (2020)
Fàgail Hiort | Leaving St. Kilda (2020)
The Well at the World's End | Cultural Documents (2019)
Muir is Tìr | Land and Sea (2018)
Machlag | Womb (2017)
CV
Instagram
Contact

Follow MacLeod’s work and explorations on Instagram.

Documentation of the making process of my new artwork ‘I want to see the forest, without it seeing me (forest skins)’ - created as part of the Artists in Nature International Network (@ainin_art) Forests’ Dreams project for Les Nuit
If anyone has been wondering why the mad felting videos as of late, there is a second skin in the making. I have been learning the art of felting again, almost forgot as it's been close to 8 years since I made those big ol' felted wombs. This time I
stairseach |  thresholds
an exhibition by Joolie Gibbs and Katie Harris-MacLeod
10 June to 3 July, 2025

opening event Saturday 14 June, 4-6 pm at the CA Gallery in Coolum 

Both artists work with similar botanical materials and a deep connection to
A few snaps from the walk through The Walls of Jerusalem National Park in Lutruwita / Tasmania last week. Bloody freezing but beautiful.
Forgotten film photos from hiking the Overland Track in 2022, taken mostly by Ben. The second photo accurately documents the reality of multi-day hikes and curly hair. We are off to do the hike through the (so-called) Walls of Jerusalem National Park
The felted wombs have been a' wandering, shape shifting and taking on new forms. Photos taken by @barbora.tomikova 

#thewanderingwombs #machlag #softbellied #thresholds #bodylandscape #softsculpture #felt
Felt wombs (Machlag) exploring Kambuwal Country. First  photo taken by @barbora.tomikova on @bendraper32 trusty Canon AE-1 

#thewanderingwombs #machlag #expiredfilm
Film shots from a trip out to Girraween National Park on Kambuwal Country, earlier this year, to visit the granite people, wildflowers, cool waters and big skies with @barbora.tomikova 

#expiredfilm
Woke up to this lovely bit of news Thursday morning this week. Nice to see these Fon Uachdar/ Beneath the Surface (spell drawings) out there in the ether, alongside some wonderful humans doing good things for this wonky planet we call home. 

This Fo
A year of living back on Kabi Kabi Country, well actually just over a year. None the less it has been a time of mending and tending to the wounds, listening, exploring, making many connections to new places and people and rekindling the ones from bef
Mother tree drawing and her saplings as part of the 'forage: symbiotic (trans)formations' show at the  @bluemountainsculturalcentre curated by @curatus.co - only a few weeks left to go and have a wee look if you're in that neck o' the woods folks x
Exploring the remnants of old growth rainforests with fellow tree loving artist @joolie31 earlier this week. Joolie and I have a show coming up this Winter at the CA Gallery in Coolum, more to come on that soon. 

Images 1 and 13 taken by @joolie31
Art update: my art is in a book for Queensland senior secondary visual art students. Does this mean I'm a real artist now? 

I’m incredibly honoured to have a case study on my art practice featured in the second edition of Creative Inquiry: Vis
Wee trip down to the Blue Mountains for the opening of the second iteration of 'forage: symbiotic (trans)formations' at the @bluemountainsculturalcentre - what a night, thanks so much to everyone involved, particularly to @curatus.co for all of your
Exciting news! 'forage: symbiotic (trans)formations’ opens at the Blue Mountains City Art Gallery in Katoomba this Friday the 14th of February.

• The exhibition brings together eight regional and metro Artists for whom foraging nature&rsq
Wee trip out to Girraween National Park on Kambuwal Country to visit the granite people, wildflowers, cool waters and big skies with @barbora.tomikova
Falling through space (holding on) | Cyanotype, Bloodwood Tree Sap, Copper Oxide Ink, Salt, Watercolour and Graphite on Tracing Paper | 29.7 cm x 42 cm | 2024.

The first image is the whole artwork and the following are close-ups of the details held