I want to see the forest, without it seeing me (forest skins) is a quiet, site-responsive work that merges sculpture, performance, and offering. Embedded in ecological intimacy, it begins with the creation of a wearable skin—felted and woven from sheep wool, moss, bark, lichen, and plant matter gathered from the surrounding landscape. Wearing this guise, I enter the forest not as a visitor, but as something in between—seeking camouflage, survival, and psychological refuge in a time of ecological precarity. This work explores concealment as both protection and surrender, softening the boundaries between body and environment. It is a gesture toward listening without disturbing, seeing without being seen—becoming less visible, more entangled with what is living and real. The skin, after its activation, is installed as a sculptural object, alongside a film-poem. Together, they form a record of transformation and an ongoing attempt at reciprocity with the more-than-human world.